Monday, April 30, 2007

Feed it back: the lesson plans

Feedback on the lesson plans...

Is the connection from expressing public/private message to the use of sketchbooking and blogging clear?

Is the concept of selecting materials and a format/medium that complements the content confusing and/or not age-appropriate?

Any suggestions of other artist books, journals, sketchbooks, blogs or other related resources?

What were the lesson’s weaknesses?

What did you find most challenging about the lesson or what do you imagine students would find most challenging?

Sketch Blog: The Lesson Plans

Sketchbook Blogging:
Observe. Document. Share. Reflect. (Grade 6-8)

"I have learned that what I have not drawn I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, sheer miracle. " ~Frederick Franck, The Zen of Seeing.

Objectives:
General: Complete a class criteria list on how to notice art - reference during discussion of exemplars as well as during individual sketchbook work/direct observation
Sketches: Closely observe and document scenes/spaces both indoors and outdoors, use a variety of line - thinking about type of line and quality of line to capture selected elements in a greater environment, Complete a series of quick sketches that capture space and movement, the complete a sketchbook that uses a wide range of medium and reflect expressive qualities and experimentation, discuss the purposes, practices and different uses of the artist sketchbook
Blog: Create a digitalized sketchbook that can be shared with a greater audience. Combine sketches with written reflection and utilize the blog as a venue for critique. Give and share ideas, feedback, or suggestions. Use the dialogue that happens as a springboard for further investigative observation and documentary inquiry.


Lesson One:

Duration: 1 45-minute period
Supplies: exemplar sketchbook reproductions, computer/internet connection, chart paper and markers, self-evaluation forms
Summary: An initial conversation invites students to think in discuss the ways in which we notice, not only art, but all things - people, places, and other happenings. Invite students to think about people-watching, watching movies, forms of advertising, etc and challenge students that we don’t take the time to notice. Question what we do and do not notice. Why do we notice some things and not others?
A community criteria is agreed on the ways in which art will be noticed and talked about.

Things to think about when noticing {art}:

- What do you see?
- What do you assume?
- What do you learn?
- What else do you wonder about or imagine?
- What else does it make you think of?

The concept of direct observation is emphasized. Selected exemplars from a variety of artists are studied and discussed as well as compared and contrasted in regards to theme (portraits, collections, scenes from a specific window, landscapes, etc) and approaches taken. The functions of the exemplary sketch books are examined in order to better understand the purpose of sketch booking: studies for final compositions, expression, journaling, documentation and observation. Types and quality of line are examined and discussed. Students are encouraged to take a close look at how the artists create movement, implies space, and uses value on the sketchbook pages.

Lesson Two:
Duration: 1 45-minute period
Suggested sketching supplies: Faber-Castell PITT artist pens (F, S, M, B), General’s charcoal pencils (HB, 2B, 4B, and 6B), flat sketching pencils (2B, 4B, 6B), Faber-Castell, General’s layout/ebony pencil, black, white, sanguine, and sepia conte crayon, Grumbacher compressed charcoal SOFT, General’s graphite pencils (HB, 2B, 4B, 6B and 8B), Speedball super black india ink and quill, CARAN d’ACHE water-soluble wax pastels, Strathmore Sketch paper, kneaded eraser
Summary:
Sketch: Introduce students to a wide range of materials used for sketching in this lesson. Demonstrate each medium and tool used. Explain the qualities and effects of inks, pencils, and charcoal. Give students the opportunity to experiment with the materials. Demonstrate a minimalist use of color in the sketch book, explaining color to be used as means of enhancement and not just to “fill in the page” like a coloring book.
Reflect: Discuss written reflection and the significance of writing in the sketch book. Referencing the exemplars, invite dialogue about the ways in which processes, discoveries, learning, and personal thoughts are documented through writing that intertwines with and compliments the sketched images.
Homework: Students are asked to become investigators of public and private spaces and places. Demonstrate to students how to create viewfinders by cutting 2 “L” shapes from sturdy cardstock and securing with paper clips to form a little window in the center. Have each student make their own viewfinder to use for their investigation. Challenge the students to capture in their sketchbooks images of both private and public places in their lives. These are most likely places and spaces that are relevant and a part of their every day. Ask students to sketch at least three or four public spaces/places and three or four private spaces/places. Challenge students to use written reflection directly on the sketchbook page.

Lesson Three:
Duration: 1 45-minute period
Supplies: Digital camera and/or scanner, blog account
Summary: Discuss the medium of blogging as means of collecting, displaying, sharing, and critiquing art works. Talk about the homework assignment that addresses public and private places and its relevance to the internet and how the blog makes public what might typically stay private (i.e. the artist sketchbook). Have each student set up their own blog account. Students will either take digital photos of their sketches or scan their sketches directly from their sketchbook. Use each sketch as a separate post and in addition to the image, include written reflection for each.
Homework: Reflect and respond to classmates’ sketchbook blogs.

Massachusetts Standards Addressed:

Standard 1: Methods, Materials, and Techniques/ 1.3
Students will demonstrate knowledge of the methods, materials, and techniques unique to the visual arts.

Standard 2: Elements and Principles of Design/ 2.2, 2.8, 2.11
Students will demonstrate knowledge of the elements and principles of design.

Standard 3: Observation, Abstraction, Invention, and Expression/ 3.1- 3.5
Students will demonstrate their powers of observation, abstraction, invention, and expression in a variety of media, materials, and techniques.

Standard 4: Drafting, Revising, Exhibiting/ 4.1 - 4.3, 4.6
Students will demonstrate knowledge of the processes of creating and exhibiting their own artwork: drafts, critique, self-assessment, refinement, and exhibit preparation

Standard 5: Critical Response/ 5.1, 5.3
Students will describe and analyze their own work and the work of others using appropriate visual arts vocabulary. When appropriate, students will connect their analysis to interpretation and evaluation.

Standard 6: Purposes and Meanings in the Arts/ 6.1 - 6.3
Students will describe the purposes for which works of dance, music, theatre, visual arts, and architecture were and are created, and, where appropriate, interpret their meanings.


Resources

“The Sketchbooks of Picasso” edited by Arnold Glincher and Marc Glincher

“Large Boston Public Garden Sketchbook” by Maurice Prendergast

http://www.anthonyzierhut.com/blog/

http://susancornelis.wordpress.com/

http://blackwingsketch.blogspot.com/

http://blogger.com

http://wordpress.org

http://flickr.com

Friday, April 27, 2007

Art is...

Teaching Philosophy

I believe a classroom to be a haven of learning. An incubator of inspiration and movement. I hope ideas fly like color and take the form of terms you can understand and make sense of and connect with. I meditate on respect and community and the fact that our differences are what keeps us the same. I hope you make connections and make decisions and risks you don’t regret, but revere. I hope you embrace mistakes with gratitude and acceptance of their gracious happening. I hope you see in colorful mappings of your process and find your way to the bigger idea.

I hope I influence you not to mimic, but to work within your internal and external sacred space. To stand your own and grow into your own. I hope some of you will find that when you have nothing else, you have art and through close observation, all of life can be beautiful. I hope this space moves you and keeps you safe. I hope you find safety in art. I hope you’re confused by art. I hope you are brought clarity from art. I hope art brings confusion again. I hope you slow to observe. I hope you slow to document. I hope you reflect and reflect on the reflection. I hope you find your visual sense a powerful tool and everyone’s hands the machine of expression. I hope you feel free to create independently, but more so, I hope you find the energy of others in meaningful collaboration. I hope we have community. I always hope for community.

I hope you feel a part of yourself and the greater global family when you’re processing visual inquiry. I hope you learn a new language. I hope you learn the personal, visual languages of others and realize the potential for peaceful co-existence. You’ll realize the power of a medium and develop a reciprocal relationship of trust and loyalty.

In my classroom, you are significant and you all belong. Unconditional. You are an artist. A being capable of a original thought and a vessel of creation. May you always wonder. May you always discover and uncover and manipulate and re-work and find a way. Find your way.

Wednesday, April 25, 2007

Why Art?

Using multiple modalities, dance/movement, music, visual art, drama, and other similar modes of delivery, children learn by having a wide range of their capabilities tapped into. Individuals, specifically children in school, are learning at rapid rates. Information is coming at them at great speeds and somehow they either have to find ways to take it in, make sense of it, and translate it into relevant terms or else, they miss it. The arts help children make important connections, develop critical thinking, decision making and problem solving skills. The arts involve children and welcome them as active players in learning and mingling with the world. Regardless of age, we instinctively connect to things we can directly relate to and are relevant to out lives, inside and outside the classroom. For children of this century, technology continues to integrate itself more and more into their every day happenings. As educators, it is our responsibility to make our classrooms mini “labs” of the real world in which we are able to teach students to be active observers and consumers of life outside the realm of school. By integrating technology into our curriculum, we offer students a consistency inside and outside the classroom of exposure to the technological advances of our day. The duty of the classroom holds the time and space that other settings do not to slow and understand our relationship to the messages, imagery, and infinite uses of the technology medium and its communicative and functional presence in students’ every day.

Corporate Ghosts